Barcode Jesus in a Material World is the fourth artwork in Flaxton's God's Love is Eternal collection. In this piece, Flaxton has created a 'cinemontage' featuring Christ, as imagined by Salvador Dali, embossed with the universal symbol of capitalism - the barcode. The artwork juxtaposes divine omnipresence with modern consumerism, engaging in a profound discourse on sanctity and 'specialness' in an age of commodification, an age of the “dollar”.